Amusing Ourselves to Death
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Amusing Ourselves to Death

Public Discourse in the Age of Show Business
Sofort lieferbar | Lieferzeit: Sofort lieferbar I
ISBN-13:
9780143036531
Veröffentl:
2005
Erscheinungsdatum:
27.12.2005
Seiten:
208
Autor:
Neil Postman
Gewicht:
158 g
Format:
194x126x16 mm
Sprache:
Englisch
Beschreibung:

Neil Postman, geboren 1931 in Brooklyn, lehrt als Professor für Medienökologie an der New York University in Manhattan. Die Titel seiner Bücher "Wir amüsieren uns zu Tode" und "Keine Götter mehr - Das Ende der Erziehung" sind geradezu zu Schlagwörtern geworden.
Introduction
Part I
1. The Medium Is the Metaphor
2. Media as Epistemology
3. Typographic America
4. The Typographic Mind
5. The Peek-a-Boo World
Part II
6. The Age of Show Business
7. "Now...This"
8. Shuffle Off to Bethlehem
9. Reach Out and Elect Someone
10. Teaching as an Amusing Activity
11. The Huxleyan Warning
Notes
Bibliography
Index
What happens when media and politics become forms of entertainment? As our world begins to look more and more like Orwell's 1984, Neil's Postman's essential guide to the modern media is more relevant than ever.

"It's unlikely that Trump has ever read Amusing Ourselves to Death, but his ascent would not have surprised Postman. -CNN

Originally published in 1985, Neil Postman s groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media from the Internet to cell phones to DVDs it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of  entertainment. It is also a blueprint for regaining control of our media, so that they can serve our highest goals.

A brilliant, powerful, and important book. This is an indictment that Postman has laid down and, so far as I can see, an irrefutable one. Jonathan Yardley, The Washington Post Book World

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