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X-Men
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ISBN-13:
9780143135777
Veröffentl:
2023
Erscheinungsdatum:
12.09.2023
Seiten:
432
Autor:
Stan Lee
Gewicht:
998 g
Format:
249x177x28 mm
Serie:
Penguin Classics Marvel Collec
Sprache:
Englisch
Beschreibung:
Writer-editor Stan Lee (1922 2018) and artist Jack Kirby made comic book history in 1961 with The Fantastic Four #1. The success of its new style inspired Lee and his many collaborators to develop a number of Super Heroes, including, with Jack Kirby, the Incredible Hulk and the X Men; with Steve Ditko, the Amazing Spider-Man and Doctor Strange; and with Bill Everett, Daredevil. Lee oversaw the adventures of these creations for more than a decade before handing over the editorial reins at Marvel to others and focusing on developing Marvel s properties in other media. For the remainder of his long life, he continued to serve as a creative figurehead at Marvel and as an ambassador for the comics medium as a whole. In his final years, Lee s signature cameo appearances in Marvel s films established him as one of the world s most famous faces.
Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York s Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Horrified by the rise of Nazism, Kirby co created the patriotic hero Captain America with Joe Simon in 1940. Cap s exploits on the comic book page entertained millions of American readers at home and inspired US troops fighting the enemy abroad. Kirby s partnership with Simon continued throughout the 1940s and early 50s; together, they produced comics in every popular genre, from Western to romance. In 1958, Kirby began his equally fruitful collaboration with writer- editor Stan Lee, and in 1961 the two men co created the foundational text of the modern Marvel Universe: The Fantastic Four. Over the next decade, Kirby and Lee would introduce a mind- boggling array of new characters including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer, and the X Men. Kirby s groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where he created his interconnected Fourth World series, as well as freestanding titles such as The Demon. He returned to Marvel in 1975, writing and illustrating The Black Panther and Captain America, and introducing series such as Devil Dinosaur, and The Eternals. Kirby died in 1994. Today, he is generally regarded as one of the most important and influential creators in the history of American comics. His work has inspired multiple generations of writers, artists, designers, and filmmakers, who continue to explore his vast universe of concepts and characters. He was an inaugural inductee into the Eisner Hall of Fame in 1987.
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.
Werner Roth may not be remembered as widely as Marvel Age giants like Kirby, Ditko or Buscema, but that cannot change the fact that he was a key contributor during the early years when Marvel s Silver Age legacy was still an unknown quantity. In fact, unlike those other artists, Werner Roth was an active participant in the earliest years of Marvel s
Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York s Lower East Side, Jack Kirby came of age at the birth of the American comic book industry. Horrified by the rise of Nazism, Kirby co created the patriotic hero Captain America with Joe Simon in 1940. Cap s exploits on the comic book page entertained millions of American readers at home and inspired US troops fighting the enemy abroad. Kirby s partnership with Simon continued throughout the 1940s and early 50s; together, they produced comics in every popular genre, from Western to romance. In 1958, Kirby began his equally fruitful collaboration with writer- editor Stan Lee, and in 1961 the two men co created the foundational text of the modern Marvel Universe: The Fantastic Four. Over the next decade, Kirby and Lee would introduce a mind- boggling array of new characters including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer, and the X Men. Kirby s groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where he created his interconnected Fourth World series, as well as freestanding titles such as The Demon. He returned to Marvel in 1975, writing and illustrating The Black Panther and Captain America, and introducing series such as Devil Dinosaur, and The Eternals. Kirby died in 1994. Today, he is generally regarded as one of the most important and influential creators in the history of American comics. His work has inspired multiple generations of writers, artists, designers, and filmmakers, who continue to explore his vast universe of concepts and characters. He was an inaugural inductee into the Eisner Hall of Fame in 1987.
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time: Amazing Spider-Man, Avengers, Daredevil, Doctor Strange, Sub-Mariner, Thor, X-Men and more. He wrote the first 10 years of Marvel s Conan the Barbarian and Savage Sword of Conan; and launched such series as Defenders, Iron Fist, Invaders and Warlock. At DC, he developed All-Star Squadron, Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films Fire and Ice and Conan the Destroyer.
Werner Roth may not be remembered as widely as Marvel Age giants like Kirby, Ditko or Buscema, but that cannot change the fact that he was a key contributor during the early years when Marvel s Silver Age legacy was still an unknown quantity. In fact, unlike those other artists, Werner Roth was an active participant in the earliest years of Marvel s
The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel s transformative and timeless influence on an entire genre of fantasy
Collects X-Men #1, 3, 4, 5, 7, 8, 14, 15, 16, 38, 41, 42, 44, 45, and 46. It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.
The seeds of a pop-cultural phenomenon were sown with the launch of the first X-Men comic in 1963, at the height of the Marvel Revolution, under the creative team of Stan Lee and Jack Kirby. The title was bookended by some of the best Super Hero comics of that era; the first issue established a creative formula that continues to inspire contemporary creators, while the final issues remain acclaimed for the groundbreaking artwork of Neal Adams. This collection gathers several key tales from the original run of the classic X-Men series.
A foreword by Rainbow Rowell and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of the X-Men and classic Marvel comics.
Collects X-Men #1, 3, 4, 5, 7, 8, 14, 15, 16, 38, 41, 42, 44, 45, and 46. It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.
The seeds of a pop-cultural phenomenon were sown with the launch of the first X-Men comic in 1963, at the height of the Marvel Revolution, under the creative team of Stan Lee and Jack Kirby. The title was bookended by some of the best Super Hero comics of that era; the first issue established a creative formula that continues to inspire contemporary creators, while the final issues remain acclaimed for the groundbreaking artwork of Neal Adams. This collection gathers several key tales from the original run of the classic X-Men series.
A foreword by Rainbow Rowell and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of the X-Men and classic Marvel comics.