William Blake: Selected Poems

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Gewicht:
355 g
Format:
195x128x38 mm
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Nicholas Shrimpton is the editor of Trollope's The Prime Minister (2011), The Warden (2014), and An Autobiography (2016), for Oxford World's Classics. His most recent title for Oxford World's Classics is Disraeli's Sybil (2017).

William Blake's strikingly original poetic world of myth and mysticism continues to fascinate. This selection represents the full range of his accomplishments, from his haunting lyrics to his political works.
  • Abbreviations

  • Introduction

  • Note on the Text

  • Select Bibliography

  • A Chronology of William Blake

  • LYRICS FROM POETICAL SKETCHES

  • MANUSCRIPT POEMS FROM FLAXMAN'S COPY OF POETICAL SKETCHES

  • SONGS OF INNOCENCE AND OF EXPERIENCE SHEWING THE TWO CONTRARY STATES OF THE HUMAN SOUL

  • POEMS ADDED TO LATER COPIES OF SONGS OF INNOCENCE AND OF EXPERIENCE

  • LYRICS FROM THE MARRIAGE OF HEAVEN AND HELL

  • LYRICS FROM THE NOTEBOOK

  • BALLADS

  • NARRATIVE POEMS

  • DESCRIPTIVE AND DISCURSIVE POETRY

  • COMIC AND SATIRICAL POETRY

  • VERSE EPISTLES and DEDICATIONS

  • BRIEF EPIC

  • DIFFUSE EPIC

  • Explanatory Notes

  • Index of Titles and First Lines

'To see a World in a Grain of Sand
'And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour'


William Blake wrote some of the most moving and memorable verse in the English language. Deeply committed to visionary and imaginative experience, yet also fiercely engaged with the turbulent politics of his era, he is now recognised as a major contributor to the Romantic Movement.

This edition presents Blake's poems in their literary categories and genres to which they belong: his much-loved lyrics, ballads, comic and satirical verse, descriptive and discursive poems, verse epistles, and, finally, his remarkable 'prophetic' poems, including the whole of his two diffuse epics, Milton and Jerusalem.

Blake's poetry is intellectually challenging as well as formally inventive, and this edition has a substantial critical introduction which places his ideas in the contemporary context of the Enlightenment and the artistic reaction against its key assumptions.

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