edited by Caitlin G. Watt, Stephen Watt, with contributions by Lisa Coulthard, Lindsay Steenberg, Lauren Steimer, Wayne Wong, Skip Willman, Aaron Jaffe, Edward P. Dallis-Comentale, Mary Nestor, Andrew Battaglia, Marleen Newman, Charles M. Tung, Mi Jeong Lee, Karalyn Kendall-Morwick

AcknowledgmentsIntroduction: The Worlds of John Wick, by Caitlin G. Watt and Stephen WattPart I: John Wick and Action Cinema1. Red Circle of Revenge: Anatomy of the Fight Sequence in John Wick, by Lisa Coulthard and Lindsay Steenberg2. Hidden in Plain Sight: Stunt-Craft Work in John Wick and the Networked Worlds of 87Eleven Action Design, by Lauren Steimer3. Killing in Equanimity: Theorizing John Wick's Action Aesthetics, by Wayne WongPart II: The Economies and Phenomenology of the Wickverse4. The Continental Abyss: John Wick vs. the Frankfurt School, by Skip Willman5. Bitcoin, Shitcoin, Wickcoin: The Hidden Phenomenology of John Wick, by Aaron JaffePart III: John Wick: Other Cultural Forms and Genres6. Fortune Favors the Bold: The State of Games and Play in the John Wick Films, by Edward P. Dallis-Comentale7. 'The One You Sent to Kill the Boogeyman': Folklore and Identity Deconstruction in the John Wick Universe, by Caitlin G. Watt8. Captain Dead Wick: Grief and the Monstrous in the John Wick and Deadpool Films, by Mary NestorPart IV: John Wick's Matrix: Space and Time9. Classical Orders, Modernist Revisions, Fantastical Expansions: Reading the Architecture of the John Wick Franchise, by Andrew Battaglia and Marleen Newman10. Out of Time and Going Sideways: John Wick, Time Traveler, by Charles M. Tung11. John Wick's Blank Cosmopolitanism and the Global Spatiality of the Wickverse, by Mi Jeong LeePart V: Gender and the Body in John Wick12. John Wick's Multiply Signifying Dogs, by Karalyn Kendall-Morwick13. Masculinity, Isolation, and Revenge: John Wick's Liminal Body, by Owen R. Horton14. Professionalism and Gender Performance in the John Wickverse, by Vivian Nun Halloran15. Style and the Sacrificial Body in John Wick 3, by Stephen WattBibliographyIndex

-- Stephen Watt is located in Bloomington, IN --Caitlin Watt is located in Clemson, SC -- The editors and contributors to this volume are from a wide range of disciplines to address all aspects of John Wick worldbuilding and are best for this work because they are responsible for the research at "The World(s) of John Wick" conference in November 2019. -- Whether you consider the John Wick film franchise to be full of instant cult classics or surprise hits, the movies are no doubt a nostalgic throwback to revenge-thrillers popularized in the 1970s while featuring the action impulses of Kung Fu flicks. The worldbuilding blows people away and has become an iconic site of fan culture. John Wick 4 is planned for May 2022. -- The Year's Work series is dedicated to the analysis of recent fan cultural phenomena. This book explores the idiosyncrasies of an action film franchise that has cultivated a passionate fanbase with an elaborate subculture. The series description states that suitable topics will most likely require a multidisciplinary and often coauthored approach. -- Target audience includes film buffs and fans of the John Wick film franchise.