Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility. What advantage shall I reap in giving to the world this, my new edition of 'Siebenkaes,' embellished and perfected as it is with all the additions, corrections, and improvements which it has been in my power to make? Can I expect to be any the better for it? People will, I daresay, buy it and read it; but not give much of their time to the study of it, nor be sufficiently detailed and thorough in their criticism of it. The Pythia of Criticism has hitherto been ohary of her oracles to me, as the Greek Pythia was to other inquirers; she has chewed up my laurels, instead of crowning me with them, and prophesied little or nothing. The author very distinctly remembers setting to work, for instance, at the second edition of his 'Hesperus,' with his pruning-saw in his left hand and his oculist's knife in his right, and applying both instruments to the work to an extraordinary extent; it was in vain, however, that he looked for anything like an appreciative notice of it, either in literary or non-literary publications.

What advantage shall I reap in giving to the world this, my new edition of 'Siebenkæs,' embellished and perfected as it is with all the additions, corrections, and improvements which it has been in my power to make? Can I expect to be any the better for it? People will, I daresay, buy it and read it; but not give much of their time to the study of it, nor be sufficiently detailed and thorough in their criticism of it. The Pythia of Criticism has hitherto been ohary of her oracles to me, as the Greek Pythia was to other inquirers; she has chewed up my laurels, instead of crowning me with them, and prophesied little or nothing. The author very distinctly remembers setting to work, for instance, at the second edition of his 'Hesperus,' with his pruning-saw in his left hand and his oculist's knife in his right, and applying both instruments to the work to an extraordinary extent; it was in vain, however, that he looked for anything like an appreciative notice of it, either in literary or non-literary publications.