Philip Larkin, poet, novelist and librarian, was born in Coventry in 1922. He published four volumes of poetry - The North Ship (1945), The Less Deceived (1955), The Whitsun Weddings (1964) and High Windows (1974) - for which he received innumerable honours including the Queen's Gold Medal for Poetry and the WH Smith Award. He also wrote two novels, Jill (1946) and A Girl in Winter (1947), and his journalism is collected in two volumes, All What Jazz: A Record Diary and Required Writing: Miscellaneous Prose. He worked as librarian at the University of Hull from 1955 until his death in 1985.

In 2003, he was chosen as Britain's best-loved poet of the previous fifty years by the Poetry Book Society; in 2008, The Times named him Britain's greatest post-war writer; and in 2016, a memorial stone in his name was unveiled in Poets' Corner in Westminster Abbey.

The Complete Poems of Philip Larkin in an entirely new edition that brings together all of Larkin's poems in addition to some unpublished pieces.

The Complete Poems of Philip Larkin in an entirely new edition that brings together all of Larkin's poems in addition to some unpublished pieces.

This entirely new edition brings together all of Philip Larkin's poems. In addition to those in Collected Poems (1988), and in the Early Poems and Juvenilia (2005), some unpublished pieces from Larkin's typescripts and workbooks are included, as well as verse (by turns scurrilous, satirical, affectionate, and sentimental) tucked away in his letters. The manuscript and printed sources have been scrutinized afresh; more detailed accounts than hitherto available of the sources of the text and of dates of composition are provided; and previous accounts of composition dates have been corrected. Variant wordings from Larkin's typescripts and the early printings are recorded.

For the first time, the poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Due prominence is given to the poet's comments on his poems, which often outline the circumstances that gave rise to a poem, or state what he was trying to achieve. Larkin played down his literariness, but his poetry enrichingly alludes to and echoes the writings of many others; Archie Burnett's commentary establishes him as a more complex and more literary poet than many readers have suspected.