The influence of Antonin Artaud on the contemporary theatre has only become evident since the early Sixties, although writers and directors have been directly or indirectly influenced by his thinking and innovations for many years. Today his pre-eminence as a founder of modern theatrical style is rivalled only by Brecht, with whom he has much in common.The man and his work, as Martin Esslin persuasively argues in this perceptive study, are inseparable and must be considered together. Genius or madman, everything about Artaud is fascinating - his extraordinary life, his passions, his wide-ranging interests, the brilliance and originality that he brought to his plays, his productions and his other writings. Artaud died in 1948 at the age of fifty-two, but accomplished a revolution in his short life that is still bearing fruit today.This compact, carefully researched study is an invaluable guide, combining readability with a sympathetic and authoritative study of its subject.

The influence of Antonin Artaud on the contemporary theatre has only become evident since the early Sixties, although writers and directors have been directly or indirectly influenced by his thinking and innovations for many years. Today his pre-eminence as a founder of modern theatrical style is rivalled only by Brecht, with whom he has much in common.The man and his work, as Martin Esslin persuasively argues in this perceptive study, are inseparable and must be considered together. Genius or madman, everything about Artaud is fascinating - his extraordinary life, his passions, his wide-ranging interests, the brilliance and originality that he brought to his plays, his productions and his other writings. Artaud died in 1948 at the age of fifty-two, but accomplished a revolution in his short life that is still bearing fruit today.This compact, carefully researched study is an invaluable guide, combining readability with a sympathetic and authoritative study of its subject.