Anthony Kay, a blind man, meets a gathering of people and quickly becomes involved in their lives. One of them is novelist James Rudd, who decides to study and write about the characters around him. The story he ends up with is very different to the one Kay would have told …. Maurice Baring skillfully blends the objective and subjective, questioning the concept of sight in a portrait of characters whose lives are destined to be intertwined. As with crime incidents in the modern era, witnesses may see the same things, but their interpretation and recall can be very different.

Anthony Kay, a blind man, meets a gathering of people and quickly becomes involved in their lives. One of them is novelist James Rudd, who decides to study and write about the characters around him. The story he ends up with is very different to the one Kay would have told …. Maurice Baring skillfully blends the objective and subjective, questioning the concept of sight in a portrait of characters whose lives are destined to be intertwined. As with crime incidents in the modern era, witnesses may see the same things, but their interpretation and recall can be very different.