On October 30, 1947, the House Committee on Un-American Activities concluded the first round of hearings on the alleged Communist infiltration of the motion picture industry. Hollywood was ordered to "clean its own house," and ten witnesses who had refused to answer questions about their membership in the Screen Writers Guild and the Communist party eventually received contempt citations. By 1950, the Hollywood Ten (as they quickly became known), which included writers, directors, and a producer, were serving prison sentences ranging from six months to one year. Since that time, the members of the Hollywood Ten have been either dismissed as industry hacks or eulogized as Cold War martyrs, but never have they been discussed in terms of their professions.

Radical Innocence: A Critical Study of the Hollywood Ten is the first study to focus on the work of the Ten: their short stories, plays, novels, criticisms, poems, memoirs, and, of course, their films. Drawing on myriad sources, including archival materials, unpublished manuscripts, black market scripts, screenplay drafts, letters, and personal interviews, Bernard F. Dick describes the Ten's survival tactics during the blacklisting and analyzes the contributions of these ten individuals not only to film but also to the arts. Radical Innocence captures the personality of each of the Ten, including the arrogant Herbert J. Biberman, the witty Ring Lardner Jr., the patriarchal Samuel Ornitz, the compassionate Adrian Scott, and the feisty Dalton Trumbo.

Acknowledgements
Introduction
1. Samuel Ornitz: Mazel Tov! to the World
2. Lester Cole: Hollywood Red
3. John Howard Larson: Hollywood Commissar
4. Herbert Biberman: The Salt That Lost Its Savor
5. Albert Maltz: Asking of Writers
6. Alvah Bessie: The Eternal Brigadier
7. Adrian Scott: A Decent Man
8. Edward Dmytryk: To Work, Perchance to Dream
9. Ring Lardner, Jr.: Radical Wit
10. Dalton Trumbo: The Bull That Broke the Blacklist
Epilogue
Chronologies, Bibliographies, and Filmographies