Beschreibung:
In The Productive Tension of Hawthorne s Art, Claudia D. Johnson identifies and explores the tension between Nathaniel Hawthorne s concepts of art and morality by describing its sources, plotting its manifestations, and suggesting how the opposing elements of this tension are finally reconciled. Hawthorne s major works, including his short fiction, exhibit a profound conflict between eighteenth-century views of an orderly, balanced, and static universe on the one hand and nineteenth-century conceptions of a universe in constant flux on the other. Johnson argues that Hawthorne, though he did not identify with any organized church, found in theology the myths that allowed him to negotiate a bridge between these two opposed views of the world and to forge the social, psychological, and aesthetic values that inform his art.
In The Productive Tension of Hawthorne s Art, Claudia D. Johnson identifies and explores the tension between Nathaniel Hawthorne s concepts of art and morality by describing its sources, plotting its manifestations, and suggesting how the opposing elements of this tension are finally reconciled. Hawthorne s major works, including his short fiction, exhibit a profound conflict between eighteenth-century views of an orderly, balanced, and static universe on the one hand and nineteenth-century conceptions of a universe in constant flux on the other. Johnson argues that Hawthorne, though he did not identify with any organized church, found in theology the myths that allowed him to negotiate a bridge between these two opposed views of the world and to forge the social, psychological, and aesthetic values that inform his art.