‘Petrified Utopia’ redresses the lack of scholarship on the issue of the pursuit of collective happiness in Soviet culture, and presents a collection of essays that discuss different manifestations of happiness in literature and visual culture.

Taken together, these essays redefine the preconceived notion of Soviet happiness as the product of official ideology imposed from above and expressed predominantly through collective experience, and provide evidence that the formation of the concept of individual happiness was not contained by the limitations of important state projects, controlled by state policies and aimed toward the creation of a new society.

Part One: Utopics: A Joyful Soviet Childhood: Happiness for Little Ones; Utopian Naturalism: The Epic Poem of Kolkhoz Happiness; Luxuriating in Lack; Plentitude and Consuming in Soviet Paintings and Posters, 1920-1953; Tasty and Healthy; Soviet Happiness in One Book; Part Two: Realities; ‘It’s Grand to Be an Orphan!’ Crafting Happy Citizens in Soviet Children’s Literature of the 1920s; Sew Yourself Soviet: The Pleasures of Textile in the Machine Age; Happy Housewarming: Moving Into Kruschev-Era Apartments; ‘When We Were Happy’: Remembering Soviet Holidays; Part Three: Locations; The ‘New Moscow’ and the New ‘Happiness’: Architecture as a Nodal Point in the Stalinist System of Value; Andrei Platonov’s Happy Moscow: Tolstoi, Stalin and the Soviet Self; ‘But Where Is Your Happiness, Alevtina Ivanovna?: New Debates About Happiness in the Soviet Films of 1956; Easy on the Heart, or ‘Strength Through Joy’