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Convent Music and Politics in Eighteenth-Century Vienna
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Gewicht:
555 g
Format:
244x170x17 mm
Beschreibung:
Janet K. Page is Professor of Musicology at the Rudi E. Scheidt School of Music at the University of Memphis. Her research explores musical life in seventeenth- and eighteenth-century Vienna, performance practice, women and music, and wind instruments and music. Her publications include an edition of the oboe concertos of C. P. E. Bach for the new Complete Works edition, and articles, reviews and reports in Early Music, The Journal of Seventeenth-Century Music, and Eighteenth-Century Music.
Introduction: female convents and music in Vienna, 1650¿1785; 1. Columbina in the convent: the music of entrance, clothing, and profession in Viennese convents; 2. Maria Anna von Raschenau and music at the convent of St Jakob auf der Hülben; 3. Court, music, and Counter-Reformation education in an Ursuline convent; 4. 'A virtual picture of Arcadia': musical entertainments for Leopold I and Joseph I; 5. Commedia dell'arte, talking animals, and the three Marys: passion music in Viennese convents; 6. Convents, music, and Habsburg rule in eighteenth-century Vienna; Appendix 1. Plays, oratorios, cantatas, Sepolcri, and Feste teatrali performed in Viennese convents, ca.1660¿1774; Appendix 2. Selected documents; Appendix 3. The Habsburgs and their family connections; Appendix 4. Glossary of terms and titles.
Janet K. Page explores the golden age of convent music in Vienna, and the convents' surprising engagement with contemporary politics.