Alison Booth, University of Virginia, USARuth Brimacombe, National Portrait Gallery, UKSusan Brown, University of Guelph, CanadaAlison Chapman, University of Victoria, CanadaRyan Cordell, Northeastern University, USALisa Hager, University of Wisconsin-Waukesha, USANatalie M. Houston, University of Houston, USAChristopher Keep, University of Western Ontario, CanadaPeter Otto, University of Melbourne, AustraliaCatherine Robson, New York University, USAMichael E. Sinatra, University of Montreal, Canada

Introduction; Andrew Stauffer PART I: NAVIGATING NETWORKS 1. How We Search Now: New and Old Ways of Digging Up Wolfe's "Sir John Moore"; Catherine Robson 2. Viral Textuality in Nineteenth-Century US Newspaper Exchanges; Ryan Cordell 3. Networking Feminist Literary History: Recovering Eliza Meteyard's Web; Susan Brown 4. Frances Trollope in a Victorian Network of Women's Biographies; Alison Booth 5. Representing Leigh Hunt's Autobiography; Michael E. Sinatra 6. Visualizing the Cultural Field of Victorian Poetry; Natalie M. Houston PART II: VIRTUAL IMAGININGS 7. Virtual Victorian Poetry; Alison Chapman 8. Artificial Environments, Virtual Realities, and the Cultivation of Propensity in the London Colosseum; Peter Otto 9. The Imperial Avatar in the Imagined Landscape: the Virtual Dynamics of the Prince of Wales's Tour of India in 1875-6; Ruth Brimacombe 10. Steampunk Technologies of Gender: Deryn Sharp's Non-Binary Gender Identity in Scott Westerfeld's Leviathan Series; Lisa Hager 11. Strange Fascination: Kipling, Benjamin, and Early Cinema; Christopher Keep

Exploring how scholars use digital resources to reconstruct the 19th century, this volume probes key issues in the intersection of digital humanities and history. Part I examines the potential of online research tools for literary scholarship while Part II outlines a prehistory of digital virtuality by exploring specific Victorian cultural forms.