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Samuel Beckett: Debts and Legacies
ISBN-13:
9781408183656
Veröffentl:
2013
Einband:
PDF
Seiten:
256
Autor:
Professor Chris Ackerley
Serie:
Plays and Playwrights
eBook Typ:
PDF
eBook Format:
PDF
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Deutsch
Beschreibung:
Published in association with the seminar series of the same name held by the University of OxfordSamuel Beckett: Debts and Legacies presents the best new scholarship addressing the sources, development and ongoing influence of Samuel Beckett''s work. Edited by convenors Dr Peter Fifield and Dr David Addyman, the volume presents ten research essays by leading international scholars ranging across Beckett''s work, opening up new avenues of enquiry and association for scholars, students and readers of Beckett''s work.
Among the subjects covered the volume includes studies of:
·Beckett and the influence of new media 1956-1960
·the influence of silent film on Beckett''s work
·death, loss and Ireland in Beckett''s drama - tracing Irish references in Beckett''s plays from the 1950s and 1960s, including EndgameAll That Fall Krapp''s Last Tape andEh Joe
·a consideration of Beckett''s theatrical notebooks and annotated copies of his plays which provide a unique insight into his attitude toward the staging of his plays, the ways he himself interpreted his texts and approached theatrical practice.
·the French text of the novelMercier et Camier, which both biographically and aesthetically appeared at a very significant moment in Beckett''s career and indicates a crucial development in his writing
·the matter of tone in Beckett''s drama, offering a new reading of the ways in which this elusive property emerges and can be read in the relationship between published text, canon and performance
Among the subjects covered the volume includes studies of:
·Beckett and the influence of new media 1956-1960
·the influence of silent film on Beckett''s work
·death, loss and Ireland in Beckett''s drama - tracing Irish references in Beckett''s plays from the 1950s and 1960s, including EndgameAll That Fall Krapp''s Last Tape andEh Joe
·a consideration of Beckett''s theatrical notebooks and annotated copies of his plays which provide a unique insight into his attitude toward the staging of his plays, the ways he himself interpreted his texts and approached theatrical practice.
·the French text of the novelMercier et Camier, which both biographically and aesthetically appeared at a very significant moment in Beckett''s career and indicates a crucial development in his writing
·the matter of tone in Beckett''s drama, offering a new reading of the ways in which this elusive property emerges and can be read in the relationship between published text, canon and performance
Published in association with the seminar series of the same name held by the University of OxfordSamuel Beckett: Debts and Legacies presents the best new scholarship addressing the sources, development and ongoing influence of Samuel Beckett''s work. Edited by convenors Dr Peter Fifield and Dr David Addyman, the volume presents ten research essays by leading international scholars ranging across Beckett''s work, opening up new avenues of enquiry and association for scholars, students and readers of Beckett''s work.
Among the subjects covered the volume includes studies of:
·Beckett and the influence of new media 1956-1960
·the influence of silent film on Beckett''s work
·death, loss and Ireland in Beckett''s drama - tracing Irish references in Beckett''s plays from the 1950s and 1960s, including EndgameAll That Fall Krapp''s Last Tape andEh Joe
·a consideration of Beckett''s theatrical notebooks and annotated copies of his plays which provide a unique insight into his attitude toward the staging of his plays, the ways he himself interpreted his texts and approached theatrical practice.
·the French text of the novelMercier et Camier, which both biographically and aesthetically appeared at a very significant moment in Beckett''s career and indicates a crucial development in his writing
·the matter of tone in Beckett''s drama, offering a new reading of the ways in which this elusive property emerges and can be read in the relationship between published text, canon and performance
Among the subjects covered the volume includes studies of:
·Beckett and the influence of new media 1956-1960
·the influence of silent film on Beckett''s work
·death, loss and Ireland in Beckett''s drama - tracing Irish references in Beckett''s plays from the 1950s and 1960s, including EndgameAll That Fall Krapp''s Last Tape andEh Joe
·a consideration of Beckett''s theatrical notebooks and annotated copies of his plays which provide a unique insight into his attitude toward the staging of his plays, the ways he himself interpreted his texts and approached theatrical practice.
·the French text of the novelMercier et Camier, which both biographically and aesthetically appeared at a very significant moment in Beckett''s career and indicates a crucial development in his writing
·the matter of tone in Beckett''s drama, offering a new reading of the ways in which this elusive property emerges and can be read in the relationship between published text, canon and performance