A cul-de-sac, a dead-end track,A sandbanked strand to sink a fleet,A bay, a bar, a strip, a trap, A wrecking ground, that s Shingle Street. Blake Morrison s first two collections, Dark Glasses (1984) and The Ballad of a Yorkshire Ripper (1987) established him as one of our most inventive and accomplished contemporary poets.In his first full-length collection for nearly thirty years, Shingle Street sees a return to the form with which he started his career. Set along the Suffolk coast, the opening poems address a receding world an eroding landscape, abashed by the ocean s passion . But coastal life gives way to other, more dangerous, vistas: a wave unleashes a flood-tide of terror; a sequence of topical poems lays bare pressing political issues; while elsewhere portraits of the past bring forth the dear and the departed. Ardent and elegiac, and encompassing an impressive range of mood and method, this is a timely offering from a poet of distinct talents.

A cul-de-sac, a dead-end track,A sandbanked strand to sink a fleet,A bay, a bar, a strip, a trap, A wrecking ground, that s Shingle Street. Blake Morrison s first two collections, Dark Glasses (1984) and The Ballad of a Yorkshire Ripper (1987) established him as one of our most inventive and accomplished contemporary poets.In his first full-length collection for nearly thirty years, Shingle Street sees a return to the form with which he started his career. Set along the Suffolk coast, the opening poems address a receding world an eroding landscape, abashed by the ocean s passion . But coastal life gives way to other, more dangerous, vistas: a wave unleashes a flood-tide of terror; a sequence of topical poems lays bare pressing political issues; while elsewhere portraits of the past bring forth the dear and the departed. Ardent and elegiac, and encompassing an impressive range of mood and method, this is a timely offering from a poet of distinct talents.