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Music Theory for the Music Professional
ISBN-13:
9781461664208
Veröffentl:
1995
Seiten:
549
Autor:
Richard Sorce
eBook Typ:
EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:
Written as a music theory text that not only addresses the important fundamental syntax of music in the classical sense but also relates this syntax to current practices and styles, this book should be particularly well-suited to musicians focusing on aspects of the music business and of popular culture.
Written as a music theory text that not only addresses the important fundamental syntax of music in the classical sense but also relates this syntax to current practices and styles, this book should be particularly well-suited to musicians focusing on aspects of the music business and of popular culture.
Part 1 Preface
Chapter 2 1. A Reveiw of Fundamentals
Chapter 3 2. Rhythm
Chapter 4 3. Scales, Keys, and Modes
Chapter 5 4. Intervals
Chapter 6 5. Triads
Chapter 7 6. Seventh Chords
Chapter 8 7. Voice Leading and Four-Part Writing
Chapter 9 8. Harmonic Progression
Chapter 10 9. Nonharmonic Tones
Chapter 11 10. Melody
Chapter 12 11. Musical Structure
Chapter 13 12. Secondary Dominants and Dominant Sevenths
Chapter 14 13. Functions of Diminished Chords
Chapter 15 14. Borrowed Functions: Movmments and Regions
Chapter 16 15. The Neapolitian Chord
Chapter 17 16. German, French, and Italian Augmented Sixth Chords
Chapter 18 17. Upper-Partial Chords: Ninths, Elevenths, and Thirteenths
Chapter 19 18. Stepwise, Mediant, and Tritone Relationships
Chapter 20 19. Modulation
Chapter 21 20. Secundal, Quartal, and Quintal Harmony
Part 22 Appendices
Part 23 Glossary
Part 24 Index
Chapter 2 1. A Reveiw of Fundamentals
Chapter 3 2. Rhythm
Chapter 4 3. Scales, Keys, and Modes
Chapter 5 4. Intervals
Chapter 6 5. Triads
Chapter 7 6. Seventh Chords
Chapter 8 7. Voice Leading and Four-Part Writing
Chapter 9 8. Harmonic Progression
Chapter 10 9. Nonharmonic Tones
Chapter 11 10. Melody
Chapter 12 11. Musical Structure
Chapter 13 12. Secondary Dominants and Dominant Sevenths
Chapter 14 13. Functions of Diminished Chords
Chapter 15 14. Borrowed Functions: Movmments and Regions
Chapter 16 15. The Neapolitian Chord
Chapter 17 16. German, French, and Italian Augmented Sixth Chords
Chapter 18 17. Upper-Partial Chords: Ninths, Elevenths, and Thirteenths
Chapter 19 18. Stepwise, Mediant, and Tritone Relationships
Chapter 20 19. Modulation
Chapter 21 20. Secundal, Quartal, and Quintal Harmony
Part 22 Appendices
Part 23 Glossary
Part 24 Index