This book is a ghost story, meant to be read on cold, dark, windy, and snow-covered wintry nights. These are not traditional tales of haunted houses, but rather are personal narratives of cultural hauntings of long forgotten histories of ethnic struggles, and Native American beliefs. It is an image of a landscape (and its people) that goes far deeper than the mere surface manifestations of ruined and abandoned structures, and the bits and pieces of broken dreams and aspirations. This is a different kind of embedded narrative. It is an excavation that penetrates to the very heart of ghostly drama.Experiences, conceptualized as a form of haunting, provide a framework for the recall of various incidents of personal memory and emotional resonance at specific places. This serves two purposes:It creates a personal landscape characterized by elements of spookiness (once dense forests, abandoned structures and mineshafts, coal patches); uncertainities that result in episodic haunting dramas (the socioeconomic impact of ethnic migrations); and ghostly presences (interpretations of these ethnic groups as a response to their physical surroundings);It provides a framework (in the 2nd part) for the analysis of other similiar haunted landscapes. A methodology is used that incorporates techniques derived from archaeology, ethnography, and performance studies. In doing so, it introduces a new multidisciplinary research methodology called Ethnoarchaeoghostology.This book is a dedicatory salute, however humble, to the achievements and daily struggles of those who came before to inhabit this Mahanoy Area. These hauntings fill-in the blank spaces between the words in historical narratives, and thus gives the reader a different image of events in local and regional social histories. In doing so, they show that greatness is not measured by the content of what we do, but how, on a daily basis, we do it.

This book is a ghost story, meant to be read on cold, dark, windy, and snow-covered wintry nights. These are not traditional tales of haunted houses, but rather are personal narratives of cultural hauntings of long forgotten histories of ethnic struggles, and Native American beliefs. It is an image of a landscape (and its people) that goes far deeper than the mere surface manifestations of ruined and abandoned structures, and the bits and pieces of broken dreams and aspirations. This is a different kind of embedded narrative. It is an excavation that penetrates to the very heart of ghostly drama.Experiences, conceptualized as a form of haunting, provide a framework for the recall of various incidents of personal memory and emotional resonance at specific places. This serves two purposes:It creates a personal landscape characterized by elements of spookiness (once dense forests, abandoned structures and mineshafts, coal patches); uncertainities that result in episodic haunting dramas (the socioeconomic impact of ethnic migrations); and ghostly presences (interpretations of these ethnic groups as a response to their physical surroundings);It provides a framework (in the 2nd part) for the analysis of other similiar haunted landscapes. A methodology is used that incorporates techniques derived from archaeology, ethnography, and performance studies. In doing so, it introduces a new multidisciplinary research methodology called Ethnoarchaeoghostology.This book is a dedicatory salute, however humble, to the achievements and daily struggles of those who came before to inhabit this Mahanoy Area. These hauntings fill-in the blank spaces between the words in historical narratives, and thus gives the reader a different image of events in local and regional social histories. In doing so, they show that greatness is not measured by the content of what we do, but how, on a daily basis, we do it.