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The Theatre of the Absurd
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Gewicht:
553 g
Format:
216x136x2 mm
Beschreibung:
Martin Esslin was the author of such ground-breaking classics as The Theatre of the Absurd and Brecht: A Choice of Evils, as well as The Field of Drama in which he focused on the semiology of drama. He joined the BBC in 1940 and was head of Drama (Radio) from 1963-1977. He published many collections of essays including Brief Chronicles: Essays on Modern Drama and Mediations: Essays on Brecht, Beckett and the Media. His critical articles used to appear regularly in Plays and Players, Encounters and many other periodicals. He was also a well-known translator of plays, particularly by German-speaking dramatists. He died in 2012.
Martin Esslin's landmark work exploring 20th Century European avant garde theatre.
Authoritative reflections on writers such as Beckett, Ionesco, Genet and Pinter
AcknowledgementsForeword Forty Years OnIntroduction: The Absurdity of the Absurd1. Samuel Beckett: The Search for the Self2. Arthur Adamov: The Curable and the Incurable3. Eugene Ionesco: Theatre and Anti-Theatre4. Jean Genet: A Hall of Mirrors5. Harold Pinter: Certainties and Uncertainties6. Parallels and Proselytes7. The Tradition of the Absurd8. The Significance of the Absurd9. Beyond the AbsurdBibliography 1: The Dramatists of the AbsurdBibliography 2: Background and History of the Theatre of the AbsurdIndex
The 'Theatre of the Absurd' has become a familiar term to describe a group of radical European playwrights - writers such as Samuel Beckett, Eugène Ionesco, Jean Genet and Harold Pinter - whose dark, funny and humane dramas wrestled profoundly with the meaningless absurdity of the human condition. It is a testament to the power and insight of Martin Esslin's landmark work, originally published in 1961, that its title should enter the English language in the way that it has.Now available in the Bloomsbury Revelations series with a new preface by Marvin Carlson, The Theatre of the Absurd remains to this day a clear-eyed work of criticism on a compelling period of European writing.