Beschreibung:
This book opens a conversation about the mediated relationship between culture and ecology. The terms ecology and culture are past separation. We are far removed from their prior historical binaric connection, and they coincide through a supplementary role to each other. Ecology and culture are unified.
The edited collection, Eco Culture: Disaster, Narrative, Discourse, opens a conversation about the mediated relationship between culture and ecology. The dynamic between these two great forces comes into stark relief when a disaster—in its myriad forms and narratives—reveals the fragility of our ecological and cultural landscapes. Disasters are the clashing of culture and ecology in violent and tragic ways, and the results of each clash create profound effects to both. So much so, in fact, that the terms ecology and culture are past separation. We are far removed from their prior historical binaric connection, and they coincide through a supplementary role to each other. Ecology and culture are unified.
ForewordPatrick MurphyIntroduction Robert Bell and Robert FicocielloPart I: MediationChapter 1: “For $19.99, Terror at the Finish Line Can Be Yours!”: Creating Individual Identity Through Collective Tragedy in the Boston Marathon BombingsAmy LantingaChapter 2: Re-Telling Fukushima, Re-Shaping Citizenship: Women Netizens in JapanNicole L. FreinerChapter 3: The Locals do it better? The Strange Victory of Occupy SandyPeer IllnerChapter 4: “Monsters in Human Form:” Representations of Looting in American Disaster NarrativesCharles BylerChapter 5: The Deepwater Horizon Disaster: Communicating Environmental Disaster in the Age of TechnologyKristen Chamberlain and Marceleen MosherChapter 6: “The storm of the century”: Typhoon Yolanda, the Event, and the Project of U.S. Empire in the PhilippinesDanielle CrawfordPart II: RemediationChapter 7: “The Missing Element is the Human Element”: Ontological Difference and the World-Ecological Crisis of the CapitaloceneKirk BoyleChapter 8: Challenging Developmentalist Narratives: Helon Habila’s Oil on Water as a Representation of the Extractivist Exploitation in the Niger Delta RegionMinna NiemiChapter 9: A Random Harvest: The Leftovers, Debt, and the “strange non-death” of NeoliberalismLiane TanguayChapter 10: Appropriating the Zombie Apocalypse: The Politics of DisasterErik TrumpChapter 11: The Politics of Aesthetics in Beasts of the Southern Wild:Mapping the Ethical Limits of Filmic Narratives in the Wake of Epochal Disaster CyclesStephanie HankinsonChapter 12: Neohumanism in the Anthropocene: Jim Jarmusch’s Only Lovers Left AliveHannah Stark