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Horrific Humor and the Moment of Droll Grimness in Cinema
ISBN-13:
9781498565004
Veröffentl:
2017
Seiten:
198
Autor:
John A. Dowell
eBook Typ:
EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:
Horrific Humor and the Moment of Droll Grimness in Cinema explores the moment in audience reception where screams and laughter collide. Essays examinine the aesthetics and mechanics of the sLaughter moment, the impact of its frission of humor and horror on the viewer, and sLaughter’s implications for the human condition more generally.
When evil clowns menace the screen, do we scream or laugh? When zombies converge to tear a victim limb from limb, do we cringe and hide our eyes, or shriek “What??! Play that again!!”? What about those instances when these seemingly opposite reactions happen at once? This is the phenomenon known as sLaughter.
Horrific Humor and the Moment of Droll Grimness in Cinema: Sidesplitting sLaughter presents the first focused look at the moment in audience reception where screams and laughter collide. John A. Dowell and Cynthia J. Miller bring together twelve essays from an international collection of authors across the disciplines. The volume begins with an examination of the aesthetics and mechanics of the sLaughter moment, then moves closer to look at the impact of its awkward frission of humor and horror on the individual viewer, and finally, broadens its lens to explore sLaughter’s implications for the human condition more generally. The chapters discuss such box office hits such as A Clockwork Orange (1971), Fargo (1996), The Dark Knight (2008), and The Cabin in the Woods (2012), as well as cult classics such as The Toxic Avenger (1984) and Dead Snow (2009).
Engaging and thought provoking, Horrific Humor and the Moment of Droll Grimness in Cinema will be of great interest to scholars of both humor and horror, as well as to those working in reception studies and fans of cult cinema.
Horrific Humor and the Moment of Droll Grimness in Cinema: Sidesplitting sLaughter presents the first focused look at the moment in audience reception where screams and laughter collide. John A. Dowell and Cynthia J. Miller bring together twelve essays from an international collection of authors across the disciplines. The volume begins with an examination of the aesthetics and mechanics of the sLaughter moment, then moves closer to look at the impact of its awkward frission of humor and horror on the individual viewer, and finally, broadens its lens to explore sLaughter’s implications for the human condition more generally. The chapters discuss such box office hits such as A Clockwork Orange (1971), Fargo (1996), The Dark Knight (2008), and The Cabin in the Woods (2012), as well as cult classics such as The Toxic Avenger (1984) and Dead Snow (2009).
Engaging and thought provoking, Horrific Humor and the Moment of Droll Grimness in Cinema will be of great interest to scholars of both humor and horror, as well as to those working in reception studies and fans of cult cinema.
Foreword: From “Stairway to Heaven” to “I Hate Mondays”: Is Understanding sLaughter Essential?
Molly Merryman
Introduction: The Hilarity of Terror: Toward an Understanding of sLaughter
John A. Dowell, with Cynthia J. Miller
Part I: The Aesthetics and Mechanics of sLaughter, or Welcome to the Funhouse of Carnography—Please Watch Your Head
1. Troma-tized by Punk
Iain J.W. Ellis
2. “Must I Remind You of a Little Movie Called Deliverance?”: sLaughter and the Postmodern Pastiche
Don Tresca
3. Phallic Noses, Blood-Filled Balloons, Exploding Popcorn, and Laughing-Gas-Squirting Flowers: Reading Images of the Evil Clown
Moritz Fink
4. The Mechanical sLaughterhouse: Horror, Humor, and Repetition in American Psycho and Fight Club
Colin Yeo
Part II: Bodies in the sLaughterhouse, or You Might Feel a Little Pinch
5. “Michael Eat Your Meat”: Trauma, Satire, and Nostalgia in Bob Balaban’s Parents
William Quiterio
6. Ha!/Aaah!: The Painful Relationship between Humor and Horror
David Misch
7. Igniting the Fuse of Destructive History: Nation and Ablation in the sLaughterhouse
Thomas Britt
8. sLaughter as Existential Epiphany
Ben Urish
Part III: Beyond Mere War, or So Long and Thanks for All the Jokes!
9. Surfing Fascists and the Masses: (Non-)Evolving Images of the Cinenazi
Ben Betka
10. In the UnDead of Winter: Humor and the Horrific in Dead Snow
Cynthia J. Miller
11. Too Soon?: Laughing at Disaster on the Cinematic Titanic
Ann Larabee
About the Editors
Notes on the Contributors
Molly Merryman
Introduction: The Hilarity of Terror: Toward an Understanding of sLaughter
John A. Dowell, with Cynthia J. Miller
Part I: The Aesthetics and Mechanics of sLaughter, or Welcome to the Funhouse of Carnography—Please Watch Your Head
1. Troma-tized by Punk
Iain J.W. Ellis
2. “Must I Remind You of a Little Movie Called Deliverance?”: sLaughter and the Postmodern Pastiche
Don Tresca
3. Phallic Noses, Blood-Filled Balloons, Exploding Popcorn, and Laughing-Gas-Squirting Flowers: Reading Images of the Evil Clown
Moritz Fink
4. The Mechanical sLaughterhouse: Horror, Humor, and Repetition in American Psycho and Fight Club
Colin Yeo
Part II: Bodies in the sLaughterhouse, or You Might Feel a Little Pinch
5. “Michael Eat Your Meat”: Trauma, Satire, and Nostalgia in Bob Balaban’s Parents
William Quiterio
6. Ha!/Aaah!: The Painful Relationship between Humor and Horror
David Misch
7. Igniting the Fuse of Destructive History: Nation and Ablation in the sLaughterhouse
Thomas Britt
8. sLaughter as Existential Epiphany
Ben Urish
Part III: Beyond Mere War, or So Long and Thanks for All the Jokes!
9. Surfing Fascists and the Masses: (Non-)Evolving Images of the Cinenazi
Ben Betka
10. In the UnDead of Winter: Humor and the Horrific in Dead Snow
Cynthia J. Miller
11. Too Soon?: Laughing at Disaster on the Cinematic Titanic
Ann Larabee
About the Editors
Notes on the Contributors