Dance and Modernism in Irish and German Literature and Culture
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Dance and Modernism in Irish and German Literature and Culture

Connections in Motion
Sabine Egger
Lexington Books
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ISBN-13:
9781498594271
Veröffentl:
2019
Seiten:
270
Autor:
Sabine Egger
eBook Typ:
PDF
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Systemvoraussetzungen
Beschreibung:

This collection of essays by dancers, scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture explores Irish-German connections through dancein choreographic processes and on stage, in literary texts, photography, dance documentation, film, and architecture since the 1920s.
A collection of scholarly articles and essays by dancers and scholars of ethnochoreology, dance studies, drama studies, cultural studies, literature, and architecture, Dance and Modernism in Irish and German Literature and Culture: Connections in Motion explores Irish-German connections through dance in choreographic processes and on stage, in literary texts, dance documentation, film, and architecture from the 1920s to today. The contributors discuss modernism, with a specific focus on modern dance, and its impact on different art forms and discourses in Irish and German culture. Within this framework, dance is regarded both as a motif and a specific form of spatial movement, which allows for the transgression of medial and disciplinary boundaries as well as gender, social, or cultural differences. Part 1 of the collection focuses on Irish-German cultural connections made through dance, while part 2 studies the role of dance in Irish and German literature, visual art, and architecture.

Chapter One: Modernism, Migration, and Irish-German Connections in the 1930s and 1940s: The Impact of Modern Physics and Dance on Ireland

Gisela Holfter



Chapter Two: Erina Brady: Mary Wigman’s Irish Disciple?

Deirdre Mulrooney



Chapter Three: Duality of Cultural Influences as a Source of Insight and Inspiration: The Collaboration between Aloys Fleischmann and Joan Moriarty 1947-1992

Ruth Fleischmann



Chapter Four: Irish Dance Documentation for the Archive: A Personal Reflection on Irish-German Connections and Intellectual Inheritances

Catherine E. Foley



Chapter Five: “Somewhere Between Remembering and Forgetting”: An Examination of the Choreographic Process Inspired by the Poem “The Man Made of Rain” by Brendan Kennelly

Marguerite Donlon



Chapter Six: Creating Tanztheater: Finding Ireland with Pina?

Finola Cronin

Chapter Seven: Irish Modernism and the History and Aesthetics of Dance

Susan Jones



Chapter Eight: Rhythm and Colour: The Legacy of Dance in 1930s Joyce and Beckett

Siobhán Purcell



Chapter Nine: Yeats’s Transgressive Dancers

Margaret Mills Harper



Chapter Ten: “I as a Text,” I as a Dance: On the Relationship of Contemporary Dance and Contemporary Poetry with Reference to Anne Juren, Martina Hefter, Monika Rinck, and Philipp Gehmacher

Lucia Ruprecht



Chapter Eleven: Dancing between Transgression and Transformation in German Literature after 1945 and 1989: Johannes Bobrowski and Katja Petrowskaja

Sabine Egger



Chapter Twelve: Dance and the Postmodern Subject in “Libidoökonomie” and “Der Kranich auf dem Kiesel in der Pfütze” by Feridun Zaimoglu

Joseph Twist



Chapter Thirteen: “Alive. Changing. New”: Impulses of the Jaques-Dalcroze Dance Institute on the Architecture of Ludwig Mies van der Rohe

Tanja Poppelreuter and Jan Frohburg

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