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Screening War
Perspectives on German Suffering
EPDF
Sofort lieferbar | Lieferzeit: Sofort lieferbar I
ISBN-13:
9781571137142
Veröffentl:
2010
Einband:
EPDF
Seiten:
312
Autor:
Paul Cooke - see C80107
Serie:
6, Screen Cultures: German Film and the Visual
eBook Typ:
PDF
eBook Format:
Reflowable EPDF
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:
Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.
Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.
The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta'sRosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominatedDownfall (2004) and the two-part television mini-seriesDresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world.
Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke.
Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.
The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta'sRosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominatedDownfall (2004) and the two-part television mini-seriesDresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world.
Contributors: Seán Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel Köppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke.
Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin.
Introduction: German Suffering? - Paul Cooke and Marc Silberman
Armchair Warriors: Heroic Postures in the West German War Film - Jennifer M. Kapczynski
German Martyrs: Images of Christianity and Resistance to National Socialism in German Cinema - David Clarke
The Rhetoric of Victim Narratives in West German Films of the 1950s - Manuel Koeppen
Sissi the Terrible: Melodrama, Victimhood, and Imperial Nostalgia in theSissi Trilogy - Erica Carter
Political Affects: Antifascism and the Second World War in Frank Beyer and Konrad Wolf - Sabine Hake
Shadowlands: The Memory of theOstgebiete in Contemporary German Film and Television - Tim Bergfelder
Links and Chains: Trauma between the Generations in the Heimat Mode - Rachel Palfreyman
Resistance of the Heart: Female Suffering and Victimhood in DEFA's Antifascist Films - Daniela Berghahn
Suffering and Sympathy in Volker Schlöndorff'sDer neunte Tag and Dennis Gansel'sNaPolA - Brad Prager
Eberhard Fechner's History of Suffering: TV Talk, Temporal Distance, Spatial Displacement - John Davidson
The Politics of Feeling: Alexander Kluge on War, Film, and Emotion - Johannes von Moltke
Post-unification German-Jewish Relations and the Discourse of Victimhood in Dani Levy's Films - Sean Allan
Armchair Warriors: Heroic Postures in the West German War Film - Jennifer M. Kapczynski
German Martyrs: Images of Christianity and Resistance to National Socialism in German Cinema - David Clarke
The Rhetoric of Victim Narratives in West German Films of the 1950s - Manuel Koeppen
Sissi the Terrible: Melodrama, Victimhood, and Imperial Nostalgia in theSissi Trilogy - Erica Carter
Political Affects: Antifascism and the Second World War in Frank Beyer and Konrad Wolf - Sabine Hake
Shadowlands: The Memory of theOstgebiete in Contemporary German Film and Television - Tim Bergfelder
Links and Chains: Trauma between the Generations in the Heimat Mode - Rachel Palfreyman
Resistance of the Heart: Female Suffering and Victimhood in DEFA's Antifascist Films - Daniela Berghahn
Suffering and Sympathy in Volker Schlöndorff'sDer neunte Tag and Dennis Gansel'sNaPolA - Brad Prager
Eberhard Fechner's History of Suffering: TV Talk, Temporal Distance, Spatial Displacement - John Davidson
The Politics of Feeling: Alexander Kluge on War, Film, and Emotion - Johannes von Moltke
Post-unification German-Jewish Relations and the Discourse of Victimhood in Dani Levy's Films - Sean Allan