Beschreibung:
Ortiz’s work is an essential cornerstone in the development of Afro-Hispanic literature of the diaspora, since the depth and breadth of his writings provide insights into some of the major cultural issues and dilemmas that have plagued Ecuadorian, and to some degree, much of Latin American society in general, for centuries. However, the significance of Ortiz’s writings extends well beyond the borders of his native country because he addresses problems that continue to resonate across the Americas and the international arena as well, such as identity, ethnicity and “place.”
Pablo Adalberto Ortiz Quiñones (1914–2002) was one of the most gifted writers in Ecuador and all of Latin America. Yet outside of Ecuador and amongst Afro-Hispanic literature scholars in the United States, little critical attention has been given to this pioneer whose multi-genre contributions spanned decades. In his writings, Ortiz explores some of the defining social issues in the Americas since the African and European encounters with the New World, including the notion of “race.” He articulates a complex process of affirming the ethnic while not denying the national. Consequently, miscegenation—a biological process—as well as acculturation are motifs in his writings, which explore the essence of what it means to be Ecuadorian. Ortiz does not dwell upon the so-called “race” question, the issue that causes such anxiety and hostility, overtly and covertly, in the United States. Rather, he explores, in depth, ethnicity, class, and caste in his earlier writings and evolves into an international writer while maintaining a strong black awareness. Adalberto Ortiz’s transcendence of victimization to a broader view of the world is indicative of the title of Marvin A. Lewis’ analysis —from margin to center—and reflective of the approach taken by many Afro-Hispanic writers. The dialectical nature of Ortiz’s writings makes his work particularly interesting and rewarding, as revealed in Adalberto Ortiz: From Margin to Center.
In this book, Lewis examines the form and content relationships between works published during different literary periods and movements. Emphasis is placed on Ortiz’s transition from the local to the international in each genre, and the theoretical approach is “eclectic,” depending upon the exigencies of the texts. Ecocriticism, post-colonialism, post-modernism, and other methodologies addressing the environment, place/displacement, identity, and historiographic metafiction are fundamental to the Lewis’ readings of Ortiz’s prose and poetry.
Contents
Introduction
Chapter 1: The Novel: From Negritud to the Postmodern
Chapter 2: Poetry: Afrocentrism, the Diaspora, and the West
Chapter 3: The Short Story: the Regional, the Folkloric, and the International
Conclusion: Diasporic Interconnections
Select Bibliography
Index
About the Author