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Framing Law and Crime
An Interdisciplinary Anthology
Sofort lieferbar | Lieferzeit: Sofort lieferbar I
ISBN-13:
9781611477061
Veröffentl:
2016
Seiten:
496
Autor:
Caroline Joan "Kay" S. Picart
Serie:
The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities
eBook Typ:
EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:
With contributions by many of the most prominent scholars in law, sociology, criminology, and film, Framing Law and Crime offers a critical survey of a variety of genres and media, integrating descriptions of technique with critical analyses.
This cutting-edge edited collection brings together 17 scholarly essays on two of cinema and television’s most enduring and powerful themes: law and crime. With contributions by many of the most prominent scholars in law, sociology, criminology, and film, Framing Law and Crime offers a critical survey of a variety of genres and media, integrating descriptions of technique with critical analysis, and incorporating historical and socio-political critique. The first set of essays brings together accounts of the history of the Law and Cinema Movement; the groundbreaking genre of “post-apocalyptic fiction;” and the policy-setting genesis of a Canadian documentary. The second section of the book turns to the examination of a range of international or global films, with an eye to assessing the strengths, frailties, and possible functions of law, as depicted in fictional cinema. After an international focus in the second section, the third section focuses on law and crime in American film and television, inclusive of both fictional and documentary modes of narration. This section’s expansion beyond film narratives to include television series attempts to broaden the scope of the edited collection, in terms of media discussed; it is also a nod to how the big screen, although still a dominant force in American popular culture, now has to compete, to some extent, with the small screen, for influence over the collective American popular cultural imaginary. The fourth section, titled brings together various chapters that attempt to instantiate how a “Gothic Criminology” could be useful, as an interpretative framework in analyzing depictions of law and crime in film and television. The fifth and final section covers issues of pedagogy, epistemology, and ethics in relation to moving images of law and crime. Merging wide-ranging analyses with nuanced scholarly interpretations, Framing Law and Crime examines key concepts and showcases original research reflecting the latest interdisciplinary trends in the scholarship of the moving image. It addresses, not only scholars, but also fans, and will heighten the appreciation of connoisseurs and newcomers to these topics alike.
Contents
Acknowledgments
Introduction: Framing Law and Crime: An Experiment in Interdisciplinary Commensurability
Caroline Joan (Kay) S. Picart, Michael Hviid Jacobsen, and Cecil Greek
Part I: Cinematic Histories and Real/Reel Dystopias of Law and Crime
Chapter 1: Law and Cinema Movement
Stefan Machura, Bangor University, Criminology and Criminal Justice
Chapter 2: The Crisis of Law and the Imaginary of Disaster: Reading Post-Apocalyptic Films
Majid Yar, Independent Scholar, Sociology
Chapter 3: A Canadian Perspective on Documentary Film: Drug Addict
Susan Boyd, University of Victoria, Canada, Studies in Policies and Practice Program
Part II: Jurisprudence in International Films
Chapter 4: In the Land of Blood and Honey: What’s Fair or Just in Love and War Crimes? Lessons for Transitional Justice.
Carrie Menkel-Meadow, University of California-Irvine, Law
Chapter 5: Multifocal Judgment, Intersecting Legal Proceedings and Conservativism: A Separation and Rashomon.
Orit Kamir, The Center for Human Dignity, Israel, Law
Chapter 6: Beyond the Courtroom—Vigilantism, Revenge, and Rape-Revenge Films in the Cinema of Justice.
Peter Robson, University of Strathclyde, Law
Part III: Law and Crime in American Film and Television
Chapter 7: Alfred Hitchcock—Visions of Guilt and Innocence
Mathieu Deflem, University of South Carolina, Sociology
Chapter 8: Heroes for Hard Times: The Wire’s ‘Good Police’
John Denvir, University of San Francisco School of Law, Law
Chapter 9: Documenting Crime: Genre, Verity, and Filmmaker as Avenger
Matthew Sorrento, Rutgers University, Film and Journalism
Chapter 10: Screening the Law: Ideology and Law in American Popular Culture
Naomi Mezey, Georgetown University, Law and Mark C. Niles, American University, Law
Part IV: Film, Crime, and the Social World
Chapter 11:Race and Serial Killing in the Media: The Case of Wayne Williams
Caroline Joan (Kay) S. Picart, Tim Bower Rodriguez, P.A., Attorney at Law
Chapter 12. Globalization and the Rise of the Behemoth: A Study in Gothic Criminology
Cecil Greek, University of South Florida, Sociology
Chapter 13: A Depiction of Evil, Order and Chaos: The Symbiotic Relationship of Law and the Supernatural in Film and Television
Farah Britto, University of South Florida, Anthropology, and Cecil Greek, University of South Florida, Sociology
Chapter 14: From Reel to Real - Conducting Filmic Ethnography in Criminology
Michael Hviid Jacobsen, Aalborg University, Sociology and Anders Petersen, Aalborg University, Sociology.
Part V: Epistemology and Ethics in Films of Law and Crime
Chapter 15. Fact, Fantasy, Fallacy: Division Between Fanciful Musings and Factual Mutterings
Jon Frauley, University of Ottawa, Criminology
Chapter 16: Tobias Beecher: Law as a Refuge from Uncertainty?
Steve Greenfield, University of Westminster, Law
Chapter 17: Nationalities, Histories, Rhetorics: Real/Reel Representations of the Holocaust and Holocaust Trials and a Poethics of Film and Law
Caroline Joan (Kay) S. Picart, Tim Bower Rodriguez, P.A., Attorney at Law
Acknowledgments
Introduction: Framing Law and Crime: An Experiment in Interdisciplinary Commensurability
Caroline Joan (Kay) S. Picart, Michael Hviid Jacobsen, and Cecil Greek
Part I: Cinematic Histories and Real/Reel Dystopias of Law and Crime
Chapter 1: Law and Cinema Movement
Stefan Machura, Bangor University, Criminology and Criminal Justice
Chapter 2: The Crisis of Law and the Imaginary of Disaster: Reading Post-Apocalyptic Films
Majid Yar, Independent Scholar, Sociology
Chapter 3: A Canadian Perspective on Documentary Film: Drug Addict
Susan Boyd, University of Victoria, Canada, Studies in Policies and Practice Program
Part II: Jurisprudence in International Films
Chapter 4: In the Land of Blood and Honey: What’s Fair or Just in Love and War Crimes? Lessons for Transitional Justice.
Carrie Menkel-Meadow, University of California-Irvine, Law
Chapter 5: Multifocal Judgment, Intersecting Legal Proceedings and Conservativism: A Separation and Rashomon.
Orit Kamir, The Center for Human Dignity, Israel, Law
Chapter 6: Beyond the Courtroom—Vigilantism, Revenge, and Rape-Revenge Films in the Cinema of Justice.
Peter Robson, University of Strathclyde, Law
Part III: Law and Crime in American Film and Television
Chapter 7: Alfred Hitchcock—Visions of Guilt and Innocence
Mathieu Deflem, University of South Carolina, Sociology
Chapter 8: Heroes for Hard Times: The Wire’s ‘Good Police’
John Denvir, University of San Francisco School of Law, Law
Chapter 9: Documenting Crime: Genre, Verity, and Filmmaker as Avenger
Matthew Sorrento, Rutgers University, Film and Journalism
Chapter 10: Screening the Law: Ideology and Law in American Popular Culture
Naomi Mezey, Georgetown University, Law and Mark C. Niles, American University, Law
Part IV: Film, Crime, and the Social World
Chapter 11:Race and Serial Killing in the Media: The Case of Wayne Williams
Caroline Joan (Kay) S. Picart, Tim Bower Rodriguez, P.A., Attorney at Law
Chapter 12. Globalization and the Rise of the Behemoth: A Study in Gothic Criminology
Cecil Greek, University of South Florida, Sociology
Chapter 13: A Depiction of Evil, Order and Chaos: The Symbiotic Relationship of Law and the Supernatural in Film and Television
Farah Britto, University of South Florida, Anthropology, and Cecil Greek, University of South Florida, Sociology
Chapter 14: From Reel to Real - Conducting Filmic Ethnography in Criminology
Michael Hviid Jacobsen, Aalborg University, Sociology and Anders Petersen, Aalborg University, Sociology.
Part V: Epistemology and Ethics in Films of Law and Crime
Chapter 15. Fact, Fantasy, Fallacy: Division Between Fanciful Musings and Factual Mutterings
Jon Frauley, University of Ottawa, Criminology
Chapter 16: Tobias Beecher: Law as a Refuge from Uncertainty?
Steve Greenfield, University of Westminster, Law
Chapter 17: Nationalities, Histories, Rhetorics: Real/Reel Representations of the Holocaust and Holocaust Trials and a Poethics of Film and Law
Caroline Joan (Kay) S. Picart, Tim Bower Rodriguez, P.A., Attorney at Law