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St. Pierre, P: Cinematography in the Weimar Republic
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471 g
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229x152x17 mm
Beschreibung:
Paul Matthew St. Pierre is professor of English at Simon Fraser University, Vancouver.
List of IllustrationsAcknowledgments1 The Weimar Revolution and German Collaborative Filmmaking2 The Optical Convergence of Theodor Sparkuhl and Ernst Lubitsch3 Karl Freund¿s Signature Visual Designs in Manifold Collaborations4 Carl Hoffmann and the New Visual Discourse of German Silent Film5 Fritz Arno Wagner, with F. W. Murnau, Fritz Lang, and Arthur Robison6 Fritz Arno Wagner, G. W. Pabst, and the Weimar Zeitgeist7 Günther Rittau, Günther Krampf, Optical Language, and Autonomous Collaborative Agency8 Guido Seeber¿s Promotion from Special Effects Technician to Cinematographic Artist9 Rudolph Maté, Carl Theodor Dreyer, and the Framing Principle of Cinematography10 Cinematographers as Directors as Cinematographers and the Rebirth of CivilizationFilmographyWorks CitedIndexAbout the Author
Cinematography in the Weimar Republic argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium cinematographers were the leading purveyors of the new kinetic visual imaginary.