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Modern Antiques
The Material Past in England, 1660–1780
Sofort lieferbar | Lieferzeit: Sofort lieferbar I
ISBN-13:
9781611483796
Veröffentl:
2011
Seiten:
260
Autor:
Barrett Kalter
Serie:
Transits: Literature, Thought & Culture, 1650–1850
eBook Typ:
EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:
Modern Antiques argues that the reinvention of the past was fundamental to the development of modernity in England during the long eighteenth century. Bringing together the fields of literary criticism, historiography, material culture studies, and book history, Kalter offers new interpretations of Dryden, Gray, and Walpole, showing how these authors appropriated contemporary historical research to create nostalgic and ironic alternatives to the present-modern antiques.
The recovery and reinvention of the past were fundamental to the conception of the modern in England during the long eighteenth century. Scholars then forged connections between linear time and empirical evidence that transformed historical consciousness. Chronologers, textual critics, and antiquaries constructed the notion of a material past, which spread through the cultures of print and consumption to a broader public, offering powerful—and for that reason, contested—ways of perceiving temporality and change, the historicity of objects, and the relation between fact and imagination. But even as these innovative ideas won acceptance, they also generated rival forms of historical meaning. The regular progression of chronological time accentuated the deviance of anachronism and ephemerality, while the opposition of unique artifacts to ubiquitous commodities exoticized things that straddled this divide.
Inspired by the authentic products as well as the anomalous by-products of contemporary scholarship, writers, craftsmen, and shoppers appropriated the past to create nostalgic and ironic alternatives to their own moment. Barrett Kalter explores the history of these “modern antiques,” including Dryden’s translation of Virgil, modernizations of The Canterbury Tales, Gray’s Gothic wallpaper, and Walpole’s Strawberry Hill. Though grounded in the ancient and medieval eras, these works uncannily addressed the controversies about monarchy, nationhood, commerce, and specialized knowledge that defined the present for the English eighteenth century. Bringing together literary criticism, historiography, material culture studies, and book history, Kalter argues that the proliferation of modern antiques in the period reveals modernity’s paradoxical emergence out of encounters with the past.
Inspired by the authentic products as well as the anomalous by-products of contemporary scholarship, writers, craftsmen, and shoppers appropriated the past to create nostalgic and ironic alternatives to their own moment. Barrett Kalter explores the history of these “modern antiques,” including Dryden’s translation of Virgil, modernizations of The Canterbury Tales, Gray’s Gothic wallpaper, and Walpole’s Strawberry Hill. Though grounded in the ancient and medieval eras, these works uncannily addressed the controversies about monarchy, nationhood, commerce, and specialized knowledge that defined the present for the English eighteenth century. Bringing together literary criticism, historiography, material culture studies, and book history, Kalter argues that the proliferation of modern antiques in the period reveals modernity’s paradoxical emergence out of encounters with the past.
Acknowledgments
Introduction: The Time Bound and the Modern Antique
Chapter 1 The "Cobweb-Law" and the Fundamental Law: History, Chronology, and Poetic License
Chapter 2 Chaucer Ancient and Modern: Standardization, Modernization, and the Eighteenth-Century Reception of The Canterbury Tales
Chapter 3 DIY Gothic: Thomas Gray and the Medieval Revival
Chapter 4 Horace Walpole's Fugitive Pieces: Collecting and Ephemerality
Conclusion
Introduction: The Time Bound and the Modern Antique
Chapter 1 The "Cobweb-Law" and the Fundamental Law: History, Chronology, and Poetic License
Chapter 2 Chaucer Ancient and Modern: Standardization, Modernization, and the Eighteenth-Century Reception of The Canterbury Tales
Chapter 3 DIY Gothic: Thomas Gray and the Medieval Revival
Chapter 4 Horace Walpole's Fugitive Pieces: Collecting and Ephemerality
Conclusion