For over five decades, R. Crumb (b. 1943) has used the popular medium of the comic book to address the absurdity of social conventions, political disillusionment, irony, racial and gender stereotypes, sexual fantasies, and fetishes. Inspired by Thomas Nast, Honoré Daumier, T.S. Sullivant, and James Gillray, amongst others, his drawings offer a satirical critique of modern consumer culture, and often seem to possess an outsider’s perspective—a self-conscious stance that Crumb frequently relates to his personal life. Robert Storr is an American artist, critic, and educator who was a curator, and then senior curator, of The Museum of Modern Art’s Department of Painting and Sculpture from 1990 to 2002 and from 2005 to 2007. He served as the first American-born director of the Venice Biennale. From 2002 to 2006, he was the Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University, and then dean of the Yale School of Art from 2006 to 2016, where he remains as a professor of painting and printmaking. The exhibition he organized at David Zwirner in 2013 to celebrate the centenary of Ad Reinhardt was voted “Best Show in a Commercial Space in New York” by the US Art Critics Association.

A Propos R. Crumb: A Belligerently Belles Lettristic Apologia for the Fine Art of Combining Words and Pictures in Caricature, Cartooning, and Illustration by Robert Storr; A Few (Historical) Influences; Crumb's World

R. Crumb's obsessions-from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life-are chronicled in this comprehensive book of work by the illustrious American comic artist.