Recinos's love for poetry began on the streets of the South Bronx and the experience of being abandoned by Latino parents at age twelve to live on them. On the streets, Recinos discovered a world of extreme poverty and drugs, until four years later he was taken into the family of a White Presbyterian minister and guided back into school. In graduate school in New York City, Recinos befriended the Nuyorican poets the late Miguel Pinero and Pedro Pietri who encouraged him to write and read poetry at the Nuyorican poets cafe. In Where the Sidewalks Meet, Recinos uses poetry like graffiti on public culture, to make references to the invisible in plain sight, and talk about border crossings. These poems delicately string together the disregarded world of excluded, muted, and rejected human beings and "e;shouts out the names"e; of those the world only cares to look at sideways.

Recinos's love for poetry began on the streets of the South Bronx and the experience of being abandoned by Latino parents at age twelve to live on them. On the streets, Recinos discovered a world of extreme poverty and drugs, until four years later he was taken into the family of a White Presbyterian minister and guided back into school. In graduate school in New York City, Recinos befriended the Nuyorican poets the late Miguel Pinero and Pedro Pietri who encouraged him to write and read poetry at the Nuyorican poets cafe. In Where the Sidewalks Meet, Recinos uses poetry like graffiti on public culture, to make references to the invisible in plain sight, and talk about border crossings. These poems delicately string together the disregarded world of excluded, muted, and rejected human beings and "shouts out the names" of those the world only cares to look at sideways.