The Sacred Well Murders

 Paperback
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ISBN-13:
9781685030056
Veröffentl:
2022
Einband:
Paperback
Erscheinungsdatum:
01.02.2022
Seiten:
336
Autor:
Susan Rowland
Gewicht:
475 g
Format:
216x140x20 mm
Sprache:
Englisch
Beschreibung:

Susan Rowland (PhD) teaches at Pacifica Graduate Institute and is the author of ten books on Jung, the feminine, literature and the arts. Her last (with Joel Weishaus) is Jungian Arts-Based Research and the Nuclear Enchantment of New Mexico (2021). For a decade Susan has been working on a project to examine feminine heroism as a way to cultural renewal. This novel, The Sacred Well Murders, is the first volume to be published. The book explores marginalized women becoming involved in epoch-defining events that entail literal and symbolic violence. Susan lives in southern California with poet, Joel Weishaus. Her website is: susanrowland-books.com.
A simple job turns deadly when Mary Wandwalker, novice detective, is hired to chaperone a young American, Rhiannon, to the Oxford University Summer School on the ancient Celts. Worried by a rhetoric of blood sacrifice, Mary and her operatives, Caroline, and Anna, attend a sacrifice at a sacred well. They discover that those who fail to individuate their gods become possessed by them.

For the so-called Reborn Celts, who run the summer school, have been infiltrated by white supremacists. Could their immersion in myth be less a symbol for psychic wholeness and more a clue of their intent to engage in terrorist violence? Who better to penetrate their secret rites than an apparently harmless woman of a certain age?


Mary agrees to spy on the Reborn Celts, then learns, to her horror, of Anna's passionate affair with the chief suspect, Joe Griffith. With Griffith also the object of Rhiannon's obsession, Mary realizes too late that that these 21st century Celts mean murder.


The Reborn Celts draw Mary and her friends into three rites to summon their gods: at an Oxford sacred well, by the Thames on the way to London, and in Celtic London, where bloodshed will restore one of the Thames' 'lost rivers.'


Before the fatal night of the summer solstice, Caroline and Anna race to London seeking Mary, who has been kidnapped. Will she end as the crone sacrifice? Or will the three women re-make their detecting family, so re-constituting a pattern of archetypal feminine compassion?

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