Subjective Realist Cinema
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Subjective Realist Cinema

From Expressionism to Inception
 Web PDF
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ISBN-13:
9781782382799
Einband:
Web PDF
Seiten:
160
Autor:
Matthew Campora
eBook Typ:
PDF
eBook Format:
Web PDF
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:

Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.

Acknowledgements

Introduction



  • Three Periods of Narrative Experimentation

  • Multiform Narrative

  • Subjective Realism


Chapter 1. Complex Narratives



  • The New Hollywood and The Smart Film

  • New Hollywood Narration

    • Fragmented Narratives

    • Multi-strand Narratives

    • Multiform Narratives


  • Brazil

  • Puzzle Films


Chapter 2. Two Trajectories of the Cinema of Attractions



  • The Narrative Trajectory: Realism and Spectacle

  • The Avant-garde Trajectory: Realism and Defamiliarization


Chapter 3. Subjective Realism and Multiform Narrative



  • Subjective Realism

  • Vertigo

  • The Fantastic

  • Wild Strawberries


Chapter 4. Mulholland Drive



  • Expressionism and the Uncanny

  • Three Views

    • As Surrealist or Trance Film

    • As Fragmented Subjective Realist Film

    • As Supernatural Film


  • It Is All An Illusion


Chapter 5. Memento



  • The Four Strands

  • Unreliable Narration

  • Disrupted Expectations

  • Subjective Realism


Chapter 6. Eternal Sunshine of the Spotless Mind



  • The Philosophy of Eternal Sunshine

  • Temporal Inversions

  • Subjective Realism

  • Sonic Metalepsis

  • The Marvelous Real


Conclusion


Filmography
Bibliography
Index

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