Vicki P. Stroeher, Justin Vickers

Editors' Preface - Vicki P. Stroeher and Justin VickersIntroduction: Writing About Britten - Philip ReedThe Shock of Exile: Britten and the American Years - Paul KildeaBritten, Paul Bunyan, and "American-ness" - Vicki P. StroeherCollaborating with Corwin, CBS, and the BBC: Britten's Re-entry into British Radio in 1942 - Jenny DoctorAn Empire Built On Shingle: Britten, the English Opera Group, and the Aldeburgh Festival - Justin Vickers"Save Me From Those Suffering Boys": Britten, John Ireland, and the Venerable Tradition of Uranian Boy Worship in England - Byron AdamsBritten's [and Pears's] "Beloved": Sacred Parlor Song, Passion, and Control in Canticle I - Louis NieburNotes of Unbelonging - Lloyd Whitesell"Take These Tokens That You May Feel Us Near": Remembrance and Renewed Citizenship in Britten's Gloriana - Colleen RenihanTraces of No: Modularity and Saturation in The Burning Fiery Furnace and The Prodigal Son - Kevin SalfenBritten and the Augmented Sixth - Christopher MarkQuickenings of the Heart: Notes on Rhythm and Tempo in Britten - Philip RupprechtReviving Paul Bunyan - Danielle Ward-GriffinStriking A Compromise: Britten, British Publishers, Soviet Theatres, and the Premieres of Peter Grimes and The Prince of the Pagodas - Thornton MillerFrom Boosey & Hawkes to Faber Music: Britten Seeks a "Composer's Place" - Nick ClarkThe Man Himself - Lucy WalkerEpilogue: Liminalities and Britten - Vicki P. Stroeher and Justin VickersWorks Cited

Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the mostrecent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublishedand disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America and his re-entry into the British musical scene; scrutinizes the fraught establishing of the English Opera Group and his break with Boosey & Hawkes; addresses sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's music and compositional practices with a description of the moreovertly political context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces intoa volume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century. VICKI P. STROEHER is Professor of Music History at Marshall University. JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University. Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell