"We Didn’t Start the Fire"
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"We Didn’t Start the Fire"

Billy Joel and Popular Music Studies
Sofort lieferbar | Lieferzeit: Sofort lieferbar I
ISBN-13:
9781793601827
Veröffentl:
2020
Seiten:
260
Autor:
Ryan Raul Bañagale
Serie:
For the Record: Lexington Studies in Rock and Popular Music
eBook Typ:
EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:

Using Billy Joel’s music as a lens on history and culture, this volume introduces a variety of musicological approaches to one of the most popular entertainers of the past fifty years.

Billy Joel has sold over 150 million records, produced thirty-three Top-40 hits, received six Grammy Awards, and been inducted into the Rock and Roll Hall of Fame. Fans celebrate him, critics deride him, and scholars have all but ignored him. This first-of-its-kind collection of essays offers close analysis and careful insight into the ways his work has impacted popular music during the last fifty years. Using diverse approaches, this volume serves as a model for how any scholar can approach the study of popular music. Ultimately, these chapters interrogate how popular music frames our experiences, constitutes our history and culture, and gains importance in our daily lives.

Foreword by Billy Joel



Introduction: “The Stranger”: Locating Billy Joel in Popular Music Studies

Ryan Raul Bañagale and Joshua S. Duchan



Part I: “Somewhere Along the Line”: Considering Tradition



Chapter One: From Liverpool to Hicksville: Sgt. Pepper Meets The Nylon Curtain

Joshua S. Duchan



Chapter Two: Movin’ Out on Thunder Road: Images of Ambition, Escape, and Authenticity in Billy Joel and Bruce Springsteen

John J. Sheinbaum



Part II: “This Is the Time”: Performance Analysis



Chapter Three: Billy Joel, Piano Culture, and Rock’s Road Not Taken

Jonathan D. Bellman



Chapter Four: Form, Lyrics, and the “Short-Short-Long” Pattern in Billy Joel’s Music

Don Traut



Part III: “You’re My Home”: Imagined Locations



Chapter Five: “The Downeaster ‘Alexa’”: Billy Joel Signifies Folk

Morgan Jones



Chapter Six: “Nothing Rhymes With Bethlehem”: City Branding Schemes and the Strategic Deployment of Billy Joel’s “Allentown”

Sarah Messbauer



Part IV: “Stop in Nevada”: Live Performance



Chapter Seven: “She’s Got a Way”: Gendered and Physical Embodiment in Interpreting Billy Joel in American Sign Language

Elyse Marrero



Chapter Eight: Twenty-First-Century Patronage: The Road to Billy Joel’s Madison Square Garden Concert Residency

Stan Soocher



Part V: “Just the Way You Are”: Arranging Billy Joel, Arranging Ourselves



Chapter Nine: Scenes From a Music Museum: The Piano Man’s Notebooks in the Rock and Roll Hall of Fame

Jason Hanley and Kathryn Metz



Chapter Ten: Disavowing Billy Joel: Taste Shaming and “Schlock” Fandom

James Deaville



Chapter Eleven: My Lives: Greatest Hits and the Arranging of a Career

Ryan Raul Bañagale



Part VI: Transcript



Chapter Twelve: “Take the Phone Off the Hook”: A Public Interview with Billy Joel, interviewed by Ryan Raul Bañagale and Joshua S. Duchan



About the Editors and Contributors



Discography

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