Peter Graham (1939-2020) enjoyed a varied career as a film critic, food writer, translator and film-maker. His publications include A Dictionary of the Cinema (1964 and 1968), Classic Cheese Cookery (1988 and 2004) and Mourjou: The Life and Food of an Auvergne Village (1998 and 2004).Ginette Vincendeau is Professor of Film Studies and Director of the Film Studies Department at King's College London, UK. Her recent publications include Paris in the Cinema (co-edited with Alastair Phillips, BFI Publishing, 2018), La Haine (2005) and Jean-Pierre Melville: An American in Paris (BFI Publishing, 2003). She is a regular film reviewer and contributor to Sight & Sound, BBC Radio 3 and 4 and the BBC World Service.

Preface to the 2022 editionPreface to the 2009 EditionPreface to the 1968 EditionIntroduction (updated): Sixty Years of the French New Wave1. The politique des auteurs: foundational textsThe Birth of a New Avant-Garde: La Caméra-Stylo ALEXANDRE ASTRUCA Certain Tendency in French Cinema FRANÇOIS TRUFFAUTThe Evolution of Film Language ANDRÉ BAZINLa Politique des auteurs ANDRÉ BAZIN2. Critical debates: authorship and mise-en-scèneThe Delights of Ambiguity: In Praise of André Bazin GÉRARD GOZLANLittle Themes CLAUDE CHABROL.Review of Alexandre Astruc's Une vie JEAN-LUC GODARD.The Emperor Has No Clothes ROBERT BENAYOUN.Interview with François Truffaut CAHIERS DU CINÉMA.3. Authorship-mise-en-scène Case Study: the reception of A bout de souffleContrasting Views of A bout de souffle: Jean-Luc Godard LUC MOULLET . A bout de souffle RAYMONDE BORDE . Le Quai des brumes 1960: A bout de souffle by Jean-Luc Godard GEORGES SADOUL.4. Critical debates: The Missing Perspective, gender and politicsIdentikit of the 'New Wave' heroine EVELYNE SULLEROTGoodnight, Doctor Kinsey PIERRE KASTThree texts by MICHÈLE FIRKHiroshima mon amour, the heart and the mind FRANÇOISE AUDÉ5. Gender Case study: the reception of Agnès VardaMONOD: La Pointe courte; SADOUL: Cleo de 5 a 7; BORY: Cleo de 5 a 7Bibliography (updated)Index (updated)

The new edition of The French New Wave now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Françoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's À bout de souffle, the new edition includes a case study of the critical reception of two films by Agnès Varda: La Pointe Courte and Cléo de 5 à 7.