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Nightwood Theatre
A Woman’s Work Is Always Done
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Beschreibung:
Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. This is an analysis of how the company became a feminist theatre establishment, the artistic leadership that developed and pursued its mandate, and the relationship between Nightwood Theatre and similar companies that it inspired and took inspiration from in the UK and the US.
Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the “home company” for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald.In Nightwood Theatre, Scott describes the company’s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood’s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S.
Acknowledgements
Preface
Introduction: Context, Creativity, Collectivity
Chapter 1. The Beginning of Nightwood Theatre, 1979-1988
Chapter 2. Breaking Away and Moving On, 1989-1993
Chapter 3. New Leadership Models, 1994-2000 and 2001-2009
Chapter 4. Nightwood and Feminist Theory
Appendix. A Nightwood Chronology
Notes / Bibliography / Index
Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company” for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald.In Nightwood Theatre, Scott describes the company’s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood’s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S.