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An Analysis of Frantz Fanon’s Black Skin, White Masks
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Gewicht:
131 g
Format:
198x128x12 mm
Beschreibung:
Dr Rachele Dini studied at Cambridge, King's College London and University College London. Much of her current work focuses on the representation of production and consumption in modern and contemporary Anglo-American fiction. She teaches at Cambridge and for the Foundation for International Education, and her first monograph, Consumerism, Waste and Re-use in Twentieth-century Fiction: Legacies of the Avant-Garde, was published by Palgrave Macmillan in 2016.
Ways in to the Text Who was Frantz Fanon? What does Black Skin, White Masks Say? Why does Black Skin, White Masks Matter? Section 1: Influences Module 1: The Author and the Historical Context Module 2: Academic Context Module 3: The Problem Module 4: The Author's Contribution Section 2: Ideas Module 5: Main Ideas Module 6: Secondary Ideas Module 7: Achievement Module 8: Place in the Author's Work Section 3: Impact Module 9: The First Responses Module 10: The Evolving Debate Module 11: Impact and Influence Today Module 12: Where Next? Glossary of Terms People Mentioned in the Text Works Cited
Frantz Fanon's explosive Black Skin, White Masks is a merciless exposé of the psychological damage done by colonial rule across the world. It is both a crucial text in post-colonial theory, and a lesson in the power of analytical skills to reveal the realities that hide beneath the surface of things.