Neo-Victorian Madness
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Neo-Victorian Madness

Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media
 eBook
Sofort lieferbar | Lieferzeit: Sofort lieferbar I
ISBN-13:
9783030465827
Veröffentl:
2020
Einband:
eBook
Seiten:
308
Autor:
Sarah E. Maier
eBook Typ:
PDF
eBook Format:
Reflowable eBook
Kopierschutz:
Digital Watermark [Social-DRM]
Sprache:
Englisch
Beschreibung:

Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media investigates contemporary fiction, cinema and television shows set in the Victorian period that depict mad murderers, lunatic doctors, social dis/ease and madhouses as if many Victorians were "e;mad."e; Such portraits demand a "e;rediagnosing"e; of mental illness that was often reduced to only female hysteria or a general malaise in nineteenth-century renditions. This collection of essays explores questions of neo-Victorian representations of moral insanity, mental illness, disturbed psyches or non-normative imaginings as well as considers the important issues of legal righteousness, social responsibility or methods of restraint and corrupt incarcerations. The chapters investigate the self-conscious re-visions, legacies and lessons of nineteenth-century discourses of madness and/or those persons presumed mad rediagnosed by present-day (neo-Victorian) representations informed by post-nineteenth-century psychological insights. 

Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media investigates contemporary fiction, cinema and television shows set in the Victorian period that depict mad murderers, lunatic doctors, social dis/ease and madhouses as if many Victorians were “mad.” Such portraits demand a “rediagnosing” of mental illness that was often reduced to only female hysteria or a general malaise in nineteenth-century renditions. This collection of essays explores questions of neo-Victorian representations of moral insanity, mental illness, disturbed psyches or non-normative imaginings as well as considers the important issues of legal righteousness, social responsibility or methods of restraint and corrupt incarcerations. The chapters investigate the self-conscious re-visions, legacies and lessons of nineteenth-century discourses of madness and/or those persons presumed mad rediagnosed by present-day (neo-Victorian) representations informed by post-nineteenth-century psychological insights. 

Chapter 1/Introduction: Neo-Victorian Maladies of the Mind, Brenda Ayres and Sarah E. Maier.- Chapter 2/“I Am Not an Angel”: Madness and Addiction in Neo–Victorian Appropriations of Jane Eyre, Kate Faber Oestreich.- Chapter 3/ “We Should Go Mad”: The Madwoman and Her Nurse, Rachel M. Friars andBrenda Ayres.- Chapter 4/The Daughters of Bertha Mason: Caribbean Madwomen in Laura Fish’sStrange Music, Olivia Tjon-A-Meeuw.- Chapter 5/“A Necessary Madness”: PTSD in Mary Balogh’s Survivors’ Club Novels Brenda Ayres.- Chapter 6/Unreliable Neo-Victorian Narrators, “Unwomen,” andFemmes Fatales: Nell Lyshon’sThe Colour of Milk and Jane Harris’Gillespie and I, Eckart Voigts.- Chapter 7/“Dear Holy Sister”: Narrating Madness, Bodily Horror and Religious Ecstasy in Michel Faber’sThe Crimson Petal and the White, Marshall Needleman Armintor.- Chapter 8/The Unmentionable Madness of Being a WomanBrenda Ayres andSarah E. Maier.- Chapter 9/ Queering the Madwoman: A Mad/Queer Narrative in Margaret Atwood’sAlias Grace and Its Adaptation, Barbara Braid.- Chapter 10/Old Monsters, Old Curses: The New Hysterical Woman andPenny Dreadful, Tim Posada.- Chapter 11/The Glamorisation of Mental Illness in BBC’sSherlock, John C. Murray.- Chapter 12/ Gendered (De)Illusions: Imaginative Madness in Neo-Victorian Childhood Trauma Narratives, Sarah E. Maier.

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