"Producing places" is a twofold topic. It can refer to places as sites that produce something, that are productive, that have operations unfold, or actions happen, or objects emerge. Likewise, it can refer to the fabrication of places as specific entities themselves. With the extended availability and practicability of digital positioning, locating and tracking systems, it has become most evident that places are not just there, but that they are generated, that they are subject to media technological operations and effects. And as such, they are fabricated themselves, they are not only active in production, but subject to production. So with the question of producing places, a media theoretical challenge has come up that needs to be tackled.Contents___ EditorialLorenz Engell / Bernhard Siegert___ AufsätzeJimena CanalesEinstein's Discourse NetworksIris DärmannMyths of Labour. Elements of an Economical Zoology___ ArchivLi LishuThe Infinite Cinema: A Discussion with Mr. Xu Chi on 'The Limit of Cinema' and The Limit of Art: A Second Discussion on the Infinite CinemaWeihong BaoLi Lishui's Medium Ontology: A Commentary___ Schwerpunkt Producing PlacesLudger SchwarteThe City—A Popular AssemblyLaura FrahmThe Rules of Attraction: Urban Design, City Films, and Movement StudiesMichael CuntzPlaces Proper and Attached or the Agency of the Ground and the Collectives of DomesticationAndrew PickeringIslands of Stability: Engaging Emergence from Cellular Automata to the Occupy MovementBen RobinsonDisassembling the ›SAN DOMINICK‹. Sovereignty, the Slave Ship, and Partisanship in Herman Melville's Benito CerenoUlrich MeurerComposite Congress. On Dispersal Patterns in Mathew Brady's Political Imagery