Morevolumes on 'Deleuze and Artistic Research':AberrantNuptialsTheDark Precursor (Two-Volume Set)Exploring"e;assemblage theory"e; in relation to the arts and to artistic researchThe concept ofassemblage has emerged in recent decades as a central tool for describing,analysing, and transforming dynamic systems in a variety of disciplines. Coinedby Deleuze and Guattari in relation to different fields of knowledge, humanpractices, and nonhuman arrangements, "e;assemblage"e; is variously applied todayin the arts, philosophy, and human and social sciences, forming links not onlybetween disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on theconcept's uses, transpositions, and appropriations in the arts, bringingtogether the voices of artists and philosophers that have been working on andwith this topic for many years with those of emerging scholar-practitioners. Thevolume embraces exciting new and reconceived artistic practices that discussand challenge existing assemblages, propose new practices within givenassemblages, and seek to invent totally unprecedented assemblages. Contributors: GarethAbrahams, Burcu Baykan, Ian Buchanan, Edward Campbell, Iain Campbell, RogrioLuiz Costa, Annita Costa Malufe, Paul Dolan, Lilija Duobliene, Vanessa Farfn,Silvio Ferraz, Jos Gil, Barbara Glowczewski, Christoph Hubatschke, janjagodzinski, Niall Dermot Kennedy, George E. Lewis, Hsiu-ju Stacy Lo, Clara Mada, Thomas Nail, Tero Nauha, AlexNowitz, Morgan O'Hara, Yota Passia, Peter Pl Pelbart, Panagiotis Roupas, Anne Sauvagnargues,Niamh Schmidtke, Chris Stover, Ron Wigglesworth, AudronA A ukauskaitA  This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Morevolumes on 'Deleuze and Artistic Research':AberrantNuptialsTheDark Precursor (Two-Volume Set)Exploring"e;assemblage theory"e; in relation to the arts and to artistic researchThe concept ofassemblage has emerged in recent decades as a central tool for describing,analysing, and transforming dynamic systems in a variety of disciplines. Coinedby Deleuze and Guattari in relation to different fields of knowledge, humanpractices, and nonhuman arrangements, "e;assemblage"e; is variously applied todayin the arts, philosophy, and human and social sciences, forming links not onlybetween disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on theconcept's uses, transpositions, and appropriations in the arts, bringingtogether the voices of artists and philosophers that have been working on andwith this topic for many years with those of emerging scholar-practitioners. Thevolume embraces exciting new and reconceived artistic practices that discussand challenge existing assemblages, propose new practices within givenassemblages, and seek to invent totally unprecedented assemblages. Contributors: GarethAbrahams, Burcu Baykan, Ian Buchanan, Edward Campbell, Iain Campbell, RogrioLuiz Costa, Annita Costa Malufe, Paul Dolan, Lilija Duobliene, Vanessa Farfn,Silvio Ferraz, Jos Gil, Barbara Glowczewski, Christoph Hubatschke, janjagodzinski, Niall Dermot Kennedy, George E. Lewis, Hsiu-ju Stacy Lo, Clara Mada, Thomas Nail, Tero Nauha, AlexNowitz, Morgan O'Hara, Yota Passia, Peter Pl Pelbart, Panagiotis Roupas, Anne Sauvagnargues,Niamh Schmidtke, Chris Stover, Ron Wigglesworth, AudronA A ukauskaitA  This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).